I’ve been watching The Young and the Restless since before I was born. How is that possible, you ask? My mother watched it while pregnant with me. I know that’s a cheap one, but it counts. I’ve been actively watching it since my birth. How many shows, other than the news, can you say that about?

I watched it my entire childhood. I tuned in throughout my teen years, on those rare occasions when I could convince my parents I was indeed bleeding from my eyes, so I could stay home from school.

When I went to college, I started watching every day. I hadn’t missed a single episode until this past November 2009. On November 30^th, Y&R went dark in my house for the first time in my life. It’s been hard on me. Y&R has moved on, but I have not.

I should’ve seen it coming, and even though it was my idea to end our relationship, that doesn’t mean that I’m not grieving. In fact, being apart is almost harder than it was when we were together. I find myself wondering, in the middle of the day, around 11:30am, what Y&R is doing. I wonder if my Genoa City friends are okay, left in the hands of a revolving door writing staff who don’t know the characters past a couple of seasons.

It reminds me of something that happened to me at a WGA function last week. I met a writer staffed on a reboot animation franchise (I can’t say which one, but it was a big one with a flop live action movie.) The offending thing was, while lovely and presumably talented, he didn’t know the history of the show he was working on. He wasn’t a fan. He had never seen or connected to the original incarnation. But like a competent journeyman writer, he cranked out satisfactory scripts regardless of his project knowledge; they had to be good to impress their difficult and demanding Executive Producer.

The thing is this happens. I’m no civilian. I should know better. I know that the turnover a writing staff is. To expect every new staffer to know everything about every character ever in a 35 year history, is fairly ridiculous of me. But in the same way I was so appalled by the TV writer who had never seen the show he was remaking, I was furious with the Y&R staff.

I know who Sharon Newman is, and she is not how the writers have been crafting her. She’s done a total 180 degree turn as a character, and not in a positive, growing sort of way. The writers have lost the real essence of Sharon, what really makes her a character you love, and instead, they’re presenting us a Sharon imposter… which might not have been a bad plotline, but turns out to be the death knell for me as a viewer.

Then about 5 years ago, the show took a strange turn. Concerned that the audience was getting bored with the tried and true Y&R, they decided to make it glamorous, more daring, more like a nighttime soap. That’s the beginning of the end for me.

Y&R has been suffering a snowball effect of bad writing since then. The nighttime soap idea was a disaster. Y&R had their lowest ratings ever. Then there was the writer’s strike. More viewers lost. Then there was the interim staff who just kept things humming, but Y&R was clearly out of tune.

Then, two years ago, like a shining beacon of hope, a Bell was back in charge of Y&R. Maria Arena Bell, the series creators’ granddaughter, was now helming and she was going to reestablish the show and restore it to her grandparents’ legacy. At least that was the hope. CBS was behind her and seeing the Bell name at the top of the show, post credit sequence, was oddly comforting. While we had a bad, mean babysitter looking after us for a while, it almost felt like Mommy had come home from dinner.

And then, things went weird in the writers’ room. The 35 year history of Genoa City was rewritten, character backstory was thrown to the wind. It was like they were bizzaro world clones of their former selves. They did the old plot standards: a murder, a court case, mistaken identity, baby switching, but all the plotlines were ruthlessly dark, bizarre, and seemingly angry without any payoff. There was no pleasure in watching these characters.

My eyes and brain were tired of being assaulted. I have loved these people, the citizens of Genoa City, my entire life. I remember a lot of what’s happened to them over the years. But at some point, when the writing is so bad, when the characters no longer make sense, when everything they do is so improbable that you’re embarrassed for the people who make the thing you love, you have to tap out. And that’s what I did.

On November 30^th, I finally had enough. Wednesdays are usually boring on a soap. Something minor happens, to move towards the exciting Friday cliff hanger, but nothing too noteworthy occurs. On this Wednesday, an art theft case was wrapping up; another murder no one cared about was solved. Amber, a blonde bimbo with a sweet side and a penchant for trouble, was finally united with Daniel, her true love (for that hour anyway), but then she was forced to marry this other guy to save him. Would she, wouldn’t she? It had taken maybe 6 months for me to finally say, no more. Daniel, Amber, I just don’t care anymore.

But like a partner, with whom you shared a deep and profound long-lasting love, you miss the nearness of them, the comfort they provide, even if the relationship is abusive.

I will forever miss The Young and the Restless. But, I’ve moved on to new lovers. I’m seeing some really nice celebrity chefs right now, and I’m hanging out a lot over at with “Horrible People.” I’m pretty sure I’m going to be okay.

I just have one thing left to say.

Young and the Restless: You were my first, and as that, you’ll always have a place in my heart, even if we can’t be together. But just know, Y&R, and all the good people of Genoa City, I miss you now and I’ll miss you forever.

When I was 8, my step-mother, concerned that the 10 hours a day of television I was consuming was probably too many, made a declaration: only 8 hours a day. That meant that I had to choose what to watch, not just watch everything that was on! Well, Godbless her for trying, but it didn’t work. I grew up to be a TV writing TV junkie.

Yes folks, I write television and I watch television and that’s how it should be. Writers should know what is out there, what works, what shows are thriving and why. Also, I haven’t ever had a pitch meeting that didn’t start with “What are you watching, Xandy?” I’m never at a loss for an answer and it always works as an easy ice breaker. When you watch or know something about everything on TV, chances are, you’re watching one show the development exec is watching.

I didn’t watch TV as much as I consumed it, like every book I read (1000’s), and from every episode of Love Boat I watched, I learned a little something about story structure and character development. It’s surprising but true. Think of it as an apprenticeship; TV taught me to write. But, TV was totally in charge; telling me what to watch and when to watch it. Then I discovered that my beloved Tivo was in cahoots with TV; pushing me around telling me stuff was being deleted and that I had to hurry up and watch. I had become a slave to my truest love, and I was growing to resent it.

I, the ambassador to TV Junkie Town, decided I was fed up with how television was treating me…  So I started an experiment; can a TV Junkie not actually watch a television and still view all of their favorite and new shows on the internet? And to begin this 2 month journey I took an unthinkable step. I canceled cable.

How is life without TV during Thanksgiving, Christmas and New Years? Strangely adequate. Granted, I didn’t get my local programming, or Thanksgiving Day parade, but it turns out, the internet rocks! Who knew?! Everything I ever wanted to see and more from official youtube channels to network websites, is up, available and ready for my compulsive viewing pleasure.

How does this saucy writer fill her internet TV Days? Here’s what I’m watching:

Peep Show

No, it’s not dirty, it’s the best British comedy you’re likely not watching. It’s an “Odd Couple” show with quirky POV camera work and Voice Over. Mark and Jeremy are best mates from college who are still sharing a London flat well into their 30’s and while Mark is stiff, uptight and generally a rule follower, Jeremy is the total opposite: a rock god in his own mind. This comedy is dark, hilarious and altogether the best show you’re probably not watching. Peep Show “I fucking love you!”

Hell’s Kitchen

I love Hell’s Kitchen. Gordo is so totally my boyfriend. He’s only got about 60 shows currently on all over the world so, so between Fox and BBC, they’ve got me covered on all the streaming screaming from his hot kitchens and it’s so wonderful. I have also been able to catch some Kitchen Nightmares, The F Word and some hour-long Cookalong Live deal. Oh Gordo, I just can’t get enough of your furrowed brow, and thanks to the internet, I can order you up for delivery. Ahh,  instant gratification tastes so good.

South Park

Okay, I have a lot of boyfriends. I love Trey Parker too. I told you I’m a junkie; I get around. Truthfully, South Park is simply just excellent TV. Trey Parker knocks out those scripts in a week, then they have like three minutes before it has to air to animate it. I am impressed with what they have accomplished and I revere him as a screenwriter. His episodes are not only topical and timely but also brilliantly well written. At South Park Studios, you can watch all of the new episodes as well as any from the prior 14 seasons. There’s nothing better than going down to South Park, to have myself a time. And now I can do it from anywhere. It’s awesome.

Garth Marenghi’s Darkplace

The series’ fictional premise: in the 1980s, best-selling horror author Garth Marenghi and his publisher/publicist, Dean Learner, made their own low-budget television series. It was bad, really bad. If you like incredibly quirky and meta shows, check it, Dark Place “from your bean bag chair, if that’s how you choose to live your life,” and watch “the greatest televisual event since Quantum Leap” and I don’t say that lightly.

The Tonight Show

I mentioned that it’s hard sometimes with current events to watch as things are airing live, and that’s true but I managed to see Conan’s last show before it aired in LA. The second the east coast airing was done, Gawker.tv had it up and ready for streaming. The quality was excellent and it was segmented so I could jump around. It wasn’t live, but even if I still had TV, I probably would’ve watched it when I got up or a day later anyway, so this totally worked out. Now the full last episode is up on Hulu.com, where you can watch it in its entirety.

In terms of animation, I’m watching all the same stuff I was watching before, Family Guy, The Simpsons, The Cleveland Show, American Dad except I’m now watching them all on Hulu.com. There’s a couple of commercials but nothing egregious, the video quality is excellent and they have the current 5 episodes up there at all times. Some older shows have more. It’s not the greatest, if I want to see something old, but between Hulu.com and AdultSwim.com, they got me covered.

Adult Swim also has their entire Sunday Night Stoner Lineup online for viewing. Metalocolypse, The Venture Brothers, Robot Chicken. They’re all on there, as well as King of the Hill if you’re looking for gentle bedtime programming.

For a blast from the past, I decided to watch all of the Night Gallery episodes. There’s four seasons up on Hulu, but they’re mostly terrible. Rod Serling is my hero and my God and I have to support his work, even if most of it is dreadful. But it’s campy and sometimes cool, so check them out. I also watched all of The Twilight Zone episodes available, but they’re limited on CBS.com. I’ve seen them all 1000 times, but I still love to hear Burgess Meredith scream “But there was time now!”

Just so I don’t loose touch with my reality TV series, I watch The Soup. Joel McHale gives me the best 22 minutes of gut-busting laughter ever. The only bad part of the show is when it’s over. The player is a little buggy, but the show is so funny, it’s totally worth any hassle.

So, here I am, three months with no cable and I have to say, I don’t miss it. I feel satisfied that I’m watching everything I want to be watching and anything I forget about, I’m probably not missing anyway.

Sometimes it’s boring watching movie after movie, and being online doesn’t give off the same energy as watching TV. TV has a repetitive rhythm that I have come to find soothing after all these years, but with all of my favorite series up online, plus a dirth of other video entertainment consumables, there’s enough going on to keep my eyeballs busy until eternity.

Why buy the cow, when you can get the milk for free? So long, cable!