This is the story of how I rediscovered my two very favorite movies. As my first two blu-rays I got Fight Club and Goodfellas, uh duh, because I’m not retarded. I got this crazy, awesome TV. I’m finally in stead with young 20-something men or the paunchy mid-life crisis sect in terms of my electronics level and I wanted my two favorite movies to christen my new PS3. (I was a good girl this year.)
So along came Tyler Durden, restored, remastered, sparring whilst sweat slowly dripped off his glistening abs in glorious 1080i. It wasn’t my first night at Fight Club, but I came to fight; well after talking through the first 20 minutes about how incredible it looked, so much so that the movie had to be restarted, because I hadn’t watched it for seeing it. I know. I must’ve been a boy in a past life.
Every shot, every extra detail, every camera trick was so familiar, yet so new and plainly visible, my brain exploded with possibility. When I was a kid, I only ever saw The Wizard of Oz on a 12 inch TV, that is until we got one of those giant rear-projection monstrosities and a laser disc player, when I was in high school. When I saw it I was like “Holy shit?! That’s what this movie looks like?”
This was the same experience. I saw details of the Paper Street Soap Company I never noticed, because my TV was so terrible. Bottom line, get the blu-ray. It’s your turn to fight.
Next Goodfellas, what a treat! Marty at his best, and the filmmaking was the star. Every shot, every camera angle, pure pristine planned perfection.
I sat around most of my freshman year at NYU, in all black, smoking ditch weed from Washington Square Rastas, and arguing which was a better tracking shot Goodfellas or The Player. To be fair, I don’t have The Player yet on blu-ray, nor am I still smoking from the Rastas (it was mostly dirt anyway), but this was like watching God himself in cine-motion. Forgive my gushing, but that tracking shot was worth the price of the blu-ray alone. Details I’ve never seen; jokes I never noticed.
For the love of God, I mean, his father is wearing a patterned wife-beater when he smacks Henry in the beginning for not going to school “IN MONTHS! MONTHS!” I never could see that level of detail before on my tragic massive tube TV.
So, what have I learned from my two new blu-rays? That A) THEY’RE AWESOME! and B) They’re great movies. I can’t believe the level of detail that I was now able to see. It so heightened the tension that for the first time, I winced a little while Billy Batts got his beating to Atlantis. It was so real, it was like I was there. The gore was palpable and terrifying and I was in love again. I hit rock bottom and I was reborn, scarred and shipped off to egg noodle and ketchup obscurity. I, like Dorothy, was always home, and suddenly I could see how fantastic it is.
Dear Tyler and Henry, my heart still belongs to you. Now get into the blu-ray ring. No shirts, no shoes and the first guy to tap out, the fight’s over.




“April Fool’s Day” Audio Commentary
When The Film Warriors asked me to participate in their screening / audio commentary of 1986′s April Fool’s Day, I jumped at the chance. I mean, how often does someone ask you to come over specifically to talk through an entire movie? Uh, basically never in my world. But some movies deserve public mocking and this one is so terrible, I just couldn’t pass up pointing out its every flaw.
And wow, what a terrible movie! Like not a redeeming quality, but I had the most fun hanging out with The Film Warriors. It was non-stop laughter, jokes and low-key film deconstruction. So, please check out our audio commentary, sync it up with the movie if you can stomach Muffy’s antics, or just listen for the laughs.
Thanks Film Warriors… For letting me come out to plaaaaaaay!
CLICK HERE TO DOWNLOAD THE MP3
Tags: april fool's day, april fool's day movie, april fool's day movie 1986, audio commentary, biff tannen, deborah foreman, film structure, horror films, muffy, the film warriors
Posted in Events, Film, Filmmaking, Screenwriting | No Comments »