Category: Events

February 2nd, 2010

So Long Genoa City, I’ll Miss You

I’ve been watching The Young and the Restless since before I was born. How is that possible, you ask? My mother watched it while pregnant with me. I know that’s a cheap one, but it counts. I’ve been actively watching it since my birth. How many shows, other than the news, can you say that about?

I watched it my entire childhood. I tuned in throughout my teen years, on those rare occasions when I could convince my parents I was indeed bleeding from my eyes, so I could stay home from school.

When I went to college, I started watching every day. I hadn’t missed a single episode until this past November 2009. On November 30th, Y&R went dark in my house for the first time in my life. It’s been hard on me. Y&R has moved on, but I have not.

I should’ve seen it coming, and even though it was my idea to end our relationship, that doesn’t mean that I’m not grieving. In fact, being apart is almost harder than it was when we were together. I find myself wondering, in the middle of the day, around 11:30am, what Y&R is doing. I wonder if my Genoa City friends are okay, left in the hands of a revolving door writing staff who don’t know the characters past a couple of seasons.

It reminds me of something that happened to me at a WGA function last week. I met a writer staffed on a reboot animation franchise (I can’t say which one, but it was a big one with a flop live action movie.) The offending thing was, while lovely and presumably talented, he didn’t know the history of the show he was working on. He wasn’t a fan. He had never seen or connected to the original incarnation. But like a competent journeyman writer, he cranked out satisfactory scripts regardless of his project knowledge; they had to be good to impress their difficult and demanding Executive Producer.

The thing is this happens. I’m no civilian. I should know better. I know that the turnover a writing staff is. To expect every new staffer to know everything about every character ever in a 35 year history, is fairly ridiculous of me. But in the same way I was so appalled by the TV writer who had never seen the show he was remaking, I was furious with the Y&R staff.

I know who Sharon Newman is, and she is not how the writers have been crafting her. She’s done a total 180 degree turn as a character, and not in a positive, growing sort of way. The writers have lost the real essence of Sharon, what really makes her a character you love, and instead, they’re presenting us a Sharon imposter… which might not have been a bad plotline, but turns out to be the death knell for me as a viewer.

Then about 5 years ago, the show took a strange turn. Concerned that the audience was getting bored with the tried and true Y&R, they decided to make it glamorous, more daring, more like a nighttime soap. That’s the beginning of the end for me.

Y&R has been suffering a snowball effect of bad writing since then. The nighttime soap idea was a disaster. Y&R had their lowest ratings ever. Then there was the writer’s strike. More viewers lost. Then there was the interim staff who just kept things humming, but Y&R was clearly out of tune.

Then, two years ago, like a shining beacon of hope, a Bell was back in charge of Y&R. Maria Arena Bell, the series creators’ granddaughter, was now helming and she was going to reestablish the show and restore it to her grandparents’ legacy. At least that was the hope. CBS was behind her and seeing the Bell name at the top of the show, post credit sequence, was oddly comforting. While we had a bad, mean babysitter looking after us for a while, it almost felt like Mommy had come home from dinner.

And then, things went weird in the writers’ room. The 35 year history of Genoa City was rewritten, character backstory was thrown to the wind. It was like they were bizzaro world clones of their former selves. They did the old plot standards: a murder, a court case, mistaken identity, baby switching, but all the plotlines were ruthlessly dark, bizarre, and seemingly angry without any payoff. There was no pleasure in watching these characters.

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January 25th, 2010

TV on the Web: An Evil Plot to Destory the World?

When I was 8, my step-mother, concerned that the 10 hours a day of television I was consuming was probably too many, made a declaration: only 8 hours a day. That meant that I had to choose what to watch, not just watch everything that was on! Well, Godbless her for trying, but it didn’t work. I grew up to be a TV writing TV junkie.

Yes folks, I write television and I watch television and that’s how it should be. Writers should know what is out there, what works, what shows are thriving and why. Also, I haven’t ever had a pitch meeting that didn’t start with “What are you watching, Xandy?” I’m never at a loss for an answer and it always works as an easy ice breaker. When you watch or know something about everything on TV, chances are, you’re watching one show the development exec is watching.

An Evil Plot

I didn’t watch TV as much as I consumed it, like every book I read (1000’s), and from every episode of Love Boat I watched, I learned a little something about story structure and character development. It’s surprising but true. Think of it as an apprenticeship; TV taught me to write. But, TV was totally in charge; telling me what to watch and when to watch it. Then I discovered that my beloved Tivo was in cahoots with TV; pushing me around telling me stuff was being deleted and that I had to hurry up and watch. I had become a slave to my truest love, and I was growing to resent it.

I, the ambassador to TV Junkie Town, decided I was fed up with how television was treating me…  So I started an experiment; can a TV Junkie not actually watch a television and still view all of their favorite and new shows on the internet? And to begin this 2 month journey I took an unthinkable step. I canceled cable.

How is life without TV during Thanksgiving, Christmas and New Years? Strangely adequate. Granted, I didn’t get my local programming, or Thanksgiving Day parade, but it turns out, the internet rocks! Who knew?! Everything I ever wanted to see and more from official youtube channels to network websites, is up, available and ready for my compulsive viewing pleasure.

How does this saucy writer fill her internet TV Days? Here’s what I’m watching:

Peep Show

No, it’s not dirty, it’s the best British comedy you’re likely not watching. It’s an “Odd Couple” show with quirky POV camera work and Voice Over. Mark and Jeremy are best mates from college who are still sharing a London flat well into their 30’s and while Mark is stiff, uptight and generally a rule follower, Jeremy is the total opposite: a rock god in his own mind. This comedy is dark, hilarious and altogether the best show you’re probably not watching. Peep Show “I fucking love you!”

Hell’s Kitchen

I love Hell’s Kitchen. Gordo is so totally my boyfriend. He’s only got about 60 shows currently on all over the world so, so between Fox and BBC, they’ve got me covered on all the streaming screaming from his hot kitchens and it’s so wonderful. I have also been able to catch some Kitchen Nightmares, The F Word and some hour-long Cookalong Live deal. Oh Gordo, I just can’t get enough of your furrowed brow, and thanks to the internet, I can order you up for delivery. Ahh,  instant gratification tastes so good.

South Park

Okay, I have a lot of boyfriends. I love Trey Parker too. I told you I’m a junkie; I get around. Truthfully, South Park is simply just excellent TV. Trey Parker knocks out those scripts in a week, then they have like three minutes before it has to air to animate it. I am impressed with what they have accomplished and I revere him as a screenwriter. His episodes are not only topical and timely but also brilliantly well written. At South Park Studios, you can watch all of the new episodes as well as any from the prior 14 seasons. There’s nothing better than going down to South Park, to have myself a time. And now I can do it from anywhere. It’s awesome.

Garth Marenghi’s Darkplace

The series’ fictional premise: in the 1980s, best-selling horror author Garth Marenghi and his publisher/publicist, Dean Learner, made their own low-budget television series. It was bad, really bad. If you like incredibly quirky and meta shows, check it, Dark Place “from your bean bag chair, if that’s how you choose to live your life,” and watch “the greatest televisual event since Quantum Leap” and I don’t say that lightly.

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December 15th, 2009

Getting Started in Screenwriting with Xandy Sussan

Recently, I was interviewed on getting started screenwriting in Hollywood at All Freelance Writing.com. Here is a link to the article where I candidly share how I got my start and helpful tips on how to get started yourself. I sincerely hope you enjoy and find this interview resourceful and a fun read.

December 9th, 2009

CoverMyScript Sponsors “Screenwriter Karaoke LA”

Only one more shopping day until Screenwriter Karaoke LA! Come on out, belt a few tunes, and meet some filmmakers. You don’t have to be a writer to join the fun, just in the business. Bring your cards and a friend. Can’t wait to see you!

SCREENWRITER KARAOKE LA IS THURSDAY, DECEMBER 10TH, 8:30 PM AT SARDO’S BAR AND GRILL IN BURBANK, CA.

Thursday December 10th, 8:30 PM
Sardo’s Grill and Lounge
259 N. PASS AVE.
BURBANK, CA 91505

Driving directions: Here


INT. KARAOKE BAR – NIGHT

THE NEXT SCREENWRITER KARAOKE EVENT IS THURSDAY, DECEMBER 10TH, 8:30 PM AT SARDO’S BAR AND GRILL IN BURBANK, CA.

Thursday December 10th, 8:30 PM
Sardo’s Grill and Lounge
259 N. PASS AVE.
BURBANK, CA 91505

Driving directions: Here

TO RSVP PLEASE GOT TO THE MEETUP.COM EVENT PAGE HERE

Sardos_BurbankScreenwriter_Karaoke_NY2

Screenwriter Karaoke is just what it sounds like, but perhaps slightly cooler: Karaoke for Screenwriters.

Think of it as a way to let your hair down. It is a little known secret that screenwriters love karaoke. Originally born from the head of screenwriter Merrel Davis, he felt there must be a more fun and boisterous way to network, all while having a good time.

Looking for a collaborative writing partner with a knack for 17th Century English? Reach out before belting These Boots Were Made for Walking. Oww! Need a no-nonsense DP with a good reel? Woo them with your manly rendition of Sweet Transvestite. Needs some coverage on your latest romantic comedy? I promise you someone in the room will have you covered!

Is this only for screenwriters?

No! In fact, the event usually brings a mix of writers, actors, editors and various other filmmaking peers. If you are looking to connect with somebody, for say, a short film. There is no better place to begin than Screenwriter Karaoke!

But… There are 5 million other networking events for writers and filmmakers already.

That’s not really a question but, right you are! However these environments can sometimes be awkward. In networking portions of an event you often have to mill around, wait for a break in conversation and interject. It’s hit or miss. Screenwriter Karaoke aims to be a more informal way to get to know your peers and counterparts and hopefully make a connection!

When, Where?
Here it is again for good measure.

Thursday December 10th, 8:30 PM
Sardo’s Grill and Lounge
259 N. PASS AVE.
BURBANK, CA 91505

Driving directions: Here

What are the rules?

  • NO COVER CHARGE.
  • The space has been graciously provided, so please patronize the bar. (2 Drink minimum)
  • 21 and over only. Please bring ID and be prepared to show it.
  • Have fun, sing, and connect!

Who organizes this crazy thing?
Merrel Davis is a screenwriter/director who lives and works in Los Angeles You can check out more about him and his work at
MerrelDavis.com


September 28th, 2009

William Safire – A Personal Memory of an Eloquent Writer

William Safire died yesterday. He was a wonderful writer and a man whose grammatical flair, his intense style and his sense of right and wrong I will always admire. When I read the news of his death, I was saddened, but reminded of my own personal connection to a man who helped shape my direction as a writer.

President_Bush_presents_William_Safire_the_2006_President_Medal_of_Freedom

It was the spring of 1992, my last semester of high school and I was studying Hamlet in AP English. We were forced to learn the whole “To Be or Not to Be” soliloquy by heart and as if that wasn’t tragedy enough for my teenage schedule, my English teacher, Mrs. Brown, gave the class what appeared to be a fairly straightforward assignment but would take me someplace I never anticipated.

The assignment: Mrs. Brown, gave the class a photocopied “article” written by William Safire that was a list of 20 Hamlet quotes. We were to correctly identify the act, scene, and line of each quote. Simple enough, right? I was able to easily identify 19 of the 20 quotes. I read Hamlet 15 times, by this point. No lie. 15 times. I scoured each line looking for the last quote, but nothing about it was familiar. No giveaways, no hints, no obvious character patois. It was a real puzzler.

No one else in my class could identify the last quote either. Being the industrious and brazen girl I’ve always been, I decided that if I was going to get number 20, I was going to have to go right to the source. Naturally, I did what any normal 17-year-old highschool senior would do, I called The New York Times and asked for some dude named “William Safire,” like he was just some sort of rookie desk jockey, not the respected, award winning journalist that he was.

The receptionist put me through to the Washington division, and then within a second, William Safire answered his own phone, just like he was a regular person. I introduced myself and explained my assignment. I asked if he would just please tell me the answer, after all, he would know, he wrote the thing! His tone was gravely serious. “No, I won’t tell you. That’s cheating.” That wasn’t quite the outcome I was hoping for.

He started off condescending. “Did you even read the play?” I explained I had read the play 15 times now, that coupled with all the re-skimming to find the quote. To prove myself, I even recited “To Be or Not To Be,” for him. He, unlike Mrs. Brown, clapped for me when I was done.

Safire said I was “charming” and then asked “do you know what a Concordance to Shakespeare is?” A Concordance to what? “Uh, no sir, I do not,” I replied. He told me to go the library, and there, I would find a book called A Concordance to Shakespeare. Contained inside this magical book would lie my answer. I should call him back when I have the answer that’s all he said. Like Bastion the young boy in The Never Ending Story, I was on a quest, to find a book that would provide the answer and save the world (well, the first of the two anyway).

Armed with theses instructions, I raced to the library, there I found the magical tome with the answers I sought. A Concordance to Shakespeare is an alphabetical list of every Shakespeare quote from every play, sonnet, anything he ever wrote. If you just know one line from something, you can look it up and voila, all the info you would ever need. And there it was the 20th quote in all its glory! Maybe there was something to this Safire guy after all!

That night at dinner my parents asked me about the William Safire assignment and had I found the 20th quote? I told them “Well yeah, I called The New York Times and spoke to William Safire” My step-mother, Eileen, nearly spit out her wine. My father almost choked. They wanted to know everything; had I spoken to him, what did he say, what was he like?

I couldn’t understand why they cared about some writer guy. My family was impressed with my tenacity, it took gumption to get a literary celebrity on the phone. A “literary celebrity?” Who, this Safire guy? As my family relayed his importance, I felt humiliated, I must have made a fool of myself in front the the prestigious Mr. William Safire.

The following day, I called back William Safire, he again answered his own phone. I told him his advice worked brilliantly and I thanked him for taking the time to help. He told me to hang in there, I told him I’d be going to NYU and he was sure I would do well as a writer.

Six months later, my father and step-mother were attending the White House Correspondence Dinner and found themselves standing next to William Safire at the bar. He was relaying a story of a ballsy high school girl who called him up once to ask for the answer to her homework. My parents looked at each other, as my step-mother interjected, “That was my daughter.” William Safire spent the evening with my parents, he was very nice and inquired about me. They told him how I was thriving at NYU and how happy I was. He was delighted.

Sometimes, as a writer (and as a person) you may not know the rules, and you brazenly run into a room only to have weapons turned on upon you at the doorway. William Safire taught me it was okay to know that I didn’t know. The spirit of asking questions, however potentially embarrassing, has been thoroughly instilled in the very fabric of my writery being.

And so, today, as I was on my Blackberry, the world’s information at my fingertips, I got word that William Safire died. Suddenly, I felt like it was 1992 all over again, and I was an unabashed high school student with nothing but promise and a willingness to get the job done regardless if I would embarrass myself. As I remember my brief encounter with him fondly, I can never discount the power of personal connection with a phenomenal talent; something for which I will be forever grateful. I’ll miss you, William Safire.

Thank you deeply for making me work for it.